maikevierkant:

Space Foxes (because space animals are fun). Edit: Prints now available here!
Space Bunnies
Space Turtles
Space Koalas

maikevierkant:

Space Foxes (because space animals are fun).
Edit: Prints now available here!

Space Bunnies

Space Turtles

Space Koalas

"Don’t live the same year 75 times and call it a life."
Robin Sharma (via gezel)
fly-away-my-darling:

ashton-hugs:

itsadamnponyshirt:

5sosissauce:

hotdamn5sos:

this is so much funnier once you know what a pen license is

Pen License: the ‘graduation’ from pencil to pen teachers will decide if your writing is neat enough and punctual enough to be able to use a pen.

fucking australians what the hell

I thought it was just a joke so I looked it up and its true!

Does nowhere else have these?!?


Is this not a thing in other places? One of my proudest life moments is that I was one of the first in my class to get my pen license 👌 haha

fly-away-my-darling:

ashton-hugs:

itsadamnponyshirt:

5sosissauce:

hotdamn5sos:

this is so much funnier once you know what a pen license is

Pen License: the ‘graduation’ from pencil to pen teachers will decide if your writing is neat enough and punctual enough to be able to use a pen.

fucking australians what the hell

I thought it was just a joke so I looked it up and its true!

Does nowhere else have these?!?

Is this not a thing in other places? One of my proudest life moments is that I was one of the first in my class to get my pen license 👌 haha

kiradax:

pros of turning 18: can legally do the stuff i already do
cons of turning 18: no longer the dancing queen

suicideblonde:

Emilia Clarke

suicideblonde:

Emilia Clarke

kristenwiigdaily:

he must have a tumblr account

endeavourtosex:

dunebat:

coldswarkids:

edwardspoonhands:

thelegendofkungjew:

doxian:

d-dinosaur:

rknjl:

newvagabond:

NO “TELEPHONES”. TALK TO EACH OTHER. FACE TO FACE ONLY. WRITE A LETTER. SEND A TELEGRAM TO YOUR MOM. PRETEND IT’S 1860. LIVE.

NO ‘WRITING’… TALK TO EACH OTHER. THROW A ROCK AT YOUR MOM. PRETEND IT’S 10,000 BCE.  LIVE.

URGGA. ROU GRAAURH. RUH.
<SMACKS HANDS ON WALL WITH PAINT.>

NO ‘HIGHER BRAIN FUNCTIONS’ …USE YOUR REPTILIAN BRAIN
EAT YOUR MOM’S CORPSE SHE DIED TO PROVIDE YOU WITH SUSTENANCE
PRETEND YOU HAVE JUST AROSE FROM THE SEA
SURVIVE

NO “MULTICELLULAR TRAITS”….. USE YOUR SYMBIOTIC MITOCHONDRIA
REPRODUCE ASEXUALLY, YOU’RE YOUR OWN PARENT
PRETEND IT’S 2BYA
EVOLVE

NO “LIFE.” USE FUNDAMENTAL PHYSICAL FORCES TO FORM SPHERICAL OBJECTS REVOLVING AROUND ONE ANOTHER IN SPACE. 
FUSE HYDROGEN INTO HELIUM USING GRAVITATIONAL PRESSURE TO PRODUCE HEAT AND LIGHT. 
PRETEND IT’S 4.5BYA.
STABILIZE INTO EQUILIBRIA

NO “MATTER”.  EXIST IN THE VOID WITHOUT PURPOSE OR MEANING.
THERE IS NO “YOU”, ONLY THE VAST CONCEPT OF NOTHING.
TIME DOES NOT EXIST.
BE.

Wow.


this post just got better and better

endeavourtosex:

dunebat:

coldswarkids:

edwardspoonhands:

thelegendofkungjew:

doxian:

d-dinosaur:

rknjl:

newvagabond:

NO “TELEPHONES”. TALK TO EACH OTHER. FACE TO FACE ONLY. WRITE A LETTER. SEND A TELEGRAM TO YOUR MOM. PRETEND IT’S 1860. LIVE.

NO ‘WRITING’… TALK TO EACH OTHER. THROW A ROCK AT YOUR MOM. PRETEND IT’S 10,000 BCE.  LIVE.

URGGA. ROU GRAAURH. RUH.

<SMACKS HANDS ON WALL WITH PAINT.>

NO ‘HIGHER BRAIN FUNCTIONS’ …USE YOUR REPTILIAN BRAIN

EAT YOUR MOM’S CORPSE SHE DIED TO PROVIDE YOU WITH SUSTENANCE

PRETEND YOU HAVE JUST AROSE FROM THE SEA

SURVIVE

NO “MULTICELLULAR TRAITS”….. USE YOUR SYMBIOTIC MITOCHONDRIA

REPRODUCE ASEXUALLY, YOU’RE YOUR OWN PARENT

PRETEND IT’S 2BYA

EVOLVE

NO “LIFE.” USE FUNDAMENTAL PHYSICAL FORCES TO FORM SPHERICAL OBJECTS REVOLVING AROUND ONE ANOTHER IN SPACE. 

FUSE HYDROGEN INTO HELIUM USING GRAVITATIONAL PRESSURE TO PRODUCE HEAT AND LIGHT. 

PRETEND IT’S 4.5BYA.

STABILIZE INTO EQUILIBRIA

NO “MATTER”.  EXIST IN THE VOID WITHOUT PURPOSE OR MEANING.

THERE IS NO “YOU”, ONLY THE VAST CONCEPT OF NOTHING.

TIME DOES NOT EXIST.

BE.

Wow.

this post just got better and better

nubbsgalore:

photos by gerry ellis from the david sheldrick wildlife trust, a nursery and orphanage for elephants in kenya’s tsavo east national park. here, fifty five keepers are charged with being around the clock parents to an elephant. the elephants, however, are the ones who chose their caretakers; it is the keepers who must ingratiate themselves to the elephants and earn their trust.

when elephants first arrive at the orphanage they are often traumatized from having witnessed the slaughter of their mothers and family by poachers. grieving can last several months, and they often lose the will to live. but as dame daphne sheldrick, founder of the orphanage, explains, a caretaker is charged with “persuading an elephant to live when it wants to die.”

approximately 35,000 elephants are killed by humans every year. with an estimated 350,000 elephants left in the whole continent of africa, they will be gone in the wild within ten years.

cbc’s the nature of things did a program on the elephants and their caretakers. you can foster an elephant with the david sheldrick wildlife trust online here. for more on the emotional lives of elephants, as well as the david sheldrick wildlife trust and other human efforts to save them, check out these posts

interiorsporn:

via the design files

interiorsporn:

via the design files

larrycoincidences:

whenever i get low on money i start thinking really irrationally like what if i hadn’t spent that $10 back in 2004 

intoruth:

'You are the coldest star in the sky…'
Dry the River, South Street Arts, Reading – 15th June 2013

intoruth:

'You are the coldest star in the sky…'

Dry the River, South Street Arts, Reading – 15th June 2013

sammhi:

mumfordmania:

College Kid Marcus Haney Lived a Real-Life Version of Almost Famous
He made a documentary about his time on the road with Mumford &amp; Sons
In 2010, Marcus Haney was your typical college kid with a lust to get closer to the core of any modern music-lover’s dream — the music festival. But unlike most people wanting to go to Coachella, Bonnaroo and the rest, Haney didn’t save for weeks to buy his event pass, and then ride out to Indio with his buddies for a weekend of partying to Jay-Z and Muse in the audience. Instead, Haney rode out to Indio, jumped a fence when no one was looking, hid out in a Porta-Potty for 8 hours and used a homemade photo pass to enjoy Coachella not from the audience with everyone else, but rather from behind the lens as a press photographer.And while there might be quite a few people who successfully sneak into Coachella and other big music festivals for a day or so, Haney made a career out of it. He eventually parlayed his fake photo pass and press credentials to sneak into multiple festivals over a couple of years. At one such event, he met Mumford and Sons, who took such a liking to Haney and his work they invited him to go on tour with them as their press photographer. Haney dropped out of USC film school one term before graduating so he could join one of the world’s biggest rock bands on their tour.
Haney has turned his adventures into a documentary film, No Cameras Allowed. The footage he shot at festivals and on the road with Mumford and Sons has been edited into a full-length film premiering July 23 at the Wiltern Theater in Los Angeles.
We sat down with Haney, now 26 and living in Venice Beach when he’s not on the road, to talk about what it’s like to be the badass who realized his dream one amazing concert at a time.
OC Weekly (Tina Dhamija): Did you go into this business of sneaking into concerts as press with any initial intent to become a music photographer?
Marcus Haney: I never aspired to be a music photographer, I’ve always aspired to be filmmaker. I mostly just wanted to hear music and used the camera as a prop to be there, as a decoy. Yes, now after I got to invited to go on a train across country, tour with the band and get to shoot whatever I wanted, I thought, “Okay, this is a pretty cool career.”
No Cameras Allowed is kind of like an Almost Famous for this generation, in that you sneak into the show and eventually make your way into the world of touring and chronicling what you encounter along the way. Have you ever seen that movie or met Cameron Crowe?
Actually, I have not seen Almost Famous yet, but I have met Cameron Crowe. We’ve hung out before and traded multiple stories about the road.
Let’s talk about touring with Mumford and Sons. What was that part of the journey like for you, to become such an intimate part of the road with such a popular band?
It was great, just pretty much surreal. I learned a lot, I gained an amazing family on the road, and I got to see a lot of the world. It was an incredible experience and still is.
What are you currently working on?
I currently just dropped a music video for the band Bear’s Den out of London. They’re good friends of mine and have an incredible album coming out.
What’s next for you, personally and professionally? Are you planning to go back to USC to finish your film degree, or do you have something else in mind?
Finishing my degree is definitely not my first priority. Making more movies, traveling with bigger and crazier bands… . I want to do more photography and film. My feature film is almost finished.
What would be the ultimate show for you to get into, one that you have not done yet?
I don’t think there is one. I think I’ve gotten into everything I’ve wanted to. As far as the future, it’s not just music. I want to get back to doing narrative films, scripted films. I have some art-music documentary ideas that I’m exploring in the next year or so.
How has your family been handling your lifestyle?
It has taken a while, but my family is very supportive now.
What do you consider a luxury in your life?

Time is a good one, and hanging out at home is another one. Actually, spending time hanging out at home is a luxury for me.
For more information about No Cameras Allowed or to attend Wednesday’s premiere at the Wiltern Theater, please visit the event’s Facebook page.
Watch the trailer here, featuring Mumford &amp; Sons: https://www.youtube.com/watch?v=bPRstX6iiLE
http://blogs.ocweekly.com/heardmentality/2014/07/no_cameras_allowed_marcus_haney_interview_coachella_mumford_and_sons.php


Why couldn’t this be my life???

sammhi:

mumfordmania:

College Kid Marcus Haney Lived a Real-Life Version of Almost Famous

He made a documentary about his time on the road with Mumford & Sons

In 2010, Marcus Haney was your typical college kid with a lust to get closer to the core of any modern music-lover’s dream — the music festival. But unlike most people wanting to go to Coachella, Bonnaroo and the rest, Haney didn’t save for weeks to buy his event pass, and then ride out to Indio with his buddies for a weekend of partying to Jay-Z and Muse in the audience. Instead, Haney rode out to Indio, jumped a fence when no one was looking, hid out in a Porta-Potty for 8 hours and used a homemade photo pass to enjoy Coachella not from the audience with everyone else, but rather from behind the lens as a press photographer.

And while there might be quite a few people who successfully sneak into Coachella and other big music festivals for a day or so, Haney made a career out of it. He eventually parlayed his fake photo pass and press credentials to sneak into multiple festivals over a couple of years. At one such event, he met Mumford and Sons, who took such a liking to Haney and his work they invited him to go on tour with them as their press photographer. Haney dropped out of USC film school one term before graduating so he could join one of the world’s biggest rock bands on their tour.

Haney has turned his adventures into a documentary film, No Cameras Allowed. The footage he shot at festivals and on the road with Mumford and Sons has been edited into a full-length film premiering July 23 at the Wiltern Theater in Los Angeles.

We sat down with Haney, now 26 and living in Venice Beach when he’s not on the road, to talk about what it’s like to be the badass who realized his dream one amazing concert at a time.

OC Weekly (Tina Dhamija): Did you go into this business of sneaking into concerts as press with any initial intent to become a music photographer?

Marcus Haney: I never aspired to be a music photographer, I’ve always aspired to be filmmaker. I mostly just wanted to hear music and used the camera as a prop to be there, as a decoy. Yes, now after I got to invited to go on a train across country, tour with the band and get to shoot whatever I wanted, I thought, “Okay, this is a pretty cool career.”

No Cameras Allowed is kind of like an Almost Famous for this generation, in that you sneak into the show and eventually make your way into the world of touring and chronicling what you encounter along the way. Have you ever seen that movie or met Cameron Crowe?

Actually, I have not seen Almost Famous yet, but I have met Cameron Crowe. We’ve hung out before and traded multiple stories about the road.

Let’s talk about touring with Mumford and Sons. What was that part of the journey like for you, to become such an intimate part of the road with such a popular band?

It was great, just pretty much surreal. I learned a lot, I gained an amazing family on the road, and I got to see a lot of the world. It was an incredible experience and still is.

What are you currently working on?

I currently just dropped a music video for the band Bear’s Den out of London. They’re good friends of mine and have an incredible album coming out.

What’s next for you, personally and professionally? Are you planning to go back to USC to finish your film degree, or do you have something else in mind?

Finishing my degree is definitely not my first priority. Making more movies, traveling with bigger and crazier bands… . I want to do more photography and film. My feature film is almost finished.

What would be the ultimate show for you to get into, one that you have not done yet?

I don’t think there is one. I think I’ve gotten into everything I’ve wanted to. As far as the future, it’s not just music. I want to get back to doing narrative films, scripted films. I have some art-music documentary ideas that I’m exploring in the next year or so.

How has your family been handling your lifestyle?

It has taken a while, but my family is very supportive now.

What do you consider a luxury in your life?

Time is a good one, and hanging out at home is another one. Actually, spending time hanging out at home is a luxury for me.

For more information about No Cameras Allowed or to attend Wednesday’s premiere at the Wiltern Theater, please visit the event’s Facebook page.

Watch the trailer here, featuring Mumford & Sons: https://www.youtube.com/watch?v=bPRstX6iiLE

http://blogs.ocweekly.com/heardmentality/2014/07/no_cameras_allowed_marcus_haney_interview_coachella_mumford_and_sons.php

Why couldn’t this be my life???